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transretropresentation in a-arts

twitter.com/filosonia:

    Artistic autonomy and subsumption – The New Inquiry →

    It’s a measure of capitalism’s continued success and expansion that more and more people feel confident in describing themselves as creative, as artists. The neoliberalist turn hinges precisely on this, that more and more people can imagine themselves artists — in part because ordinary consumption has become a mode of personal expression, in part because capital has placed various forms of audience-building media at nearly every nonimpoverished individual’s disposal, in part because every scrap of one’s life gets turned to account as reputation, as human capital. We get an audience for our creative autonomy in action, a scenario which depends on (is subsumed by) the apparatus of communicative capitalism. If we are being “creative” without an audience, it no longer registers as an expression of autonomy; social media has crowded out the space in which an individual could be content to create without spectators. Now that is simply a failure of nerve, not independence — it’s too easy to circulate one’s gestures of creativity to rest easy in obscurity.

    (Source: towerofsleep)

    — 1 week ago with 44 notes
    brooklyntheory:

Options, Bushwick, Brooklyn

    brooklyntheory:

    Options, Bushwick, Brooklyn

    (via notational)

    — 1 week ago with 724 notes
    McLuhan's Wake →
    — 2 months ago
    North Korean Film Madness (Documentary | Part 3/3) →
    — 2 months ago
    Wash out of the Black square →
    — 2 months ago with 1 note
    As the price of art rises, is its value plummeting? - The Washington Post →
    — 2 months ago

    artlistpro:

    Is This Art? (2010), Maciej Ratajski

    via digbicks:

    This is.

    (Source: maciejratajski.com, via rafaelfajardo)

    — 3 months ago with 86653 notes